Money is a kind of poetry. Wallace Stevens

A kind of currency. Lingua franca. Electric voltage to jumpstart a body or fry it to a crisp. Everything is bark. Words. Mots. Palabras. Pesetas. Copper. Argent. What a verbal illustration—a tip dessin vert—a mint species. Poetry is green olive and foliage. It will buy you a lover. Keep you in debt. Make you use bills for scratch. Jot your bliss. Spend it. It is vibrational. Tonal. Clinking in your pocket. You’ve got some. Everyone hears it. Wants it. “Just keys,” you say. Honestly. We’re bound by an imaginary trust to compensate for a world we could never afford. A cent is more magnificent in its power than its form. The opposite is true sometimes too. Shells. Buttons. It attempts to replace all things it cannot be. Tender to feed children, who will always hunger. We want it we want it until our change is perceptual. We see trees different. We learn the value of patching a deflated tube inside a tire on the shoulder of an empty highway. No promises, but to leave a memory imprinted on the grooves and creases of our palms and fingers. We exchange notes on a history of dead men and wonder. Is it a means or an end to suffer? I drop heaviest coins into the mouth of a washing machine to shake the debris from the skins that protect me. Spin. Slide on a magnetic strip of data. Plastic. Rarely seen or held. Easily drained.